by Mike –
The Apollo project was the dream of Americans Milt Brown and Ned Davis, who wanted to build an American car to compete with Aston Martin and Ferrari. They did not intend to compete on the racetrack but as a street sports GT car.
In this article I found the first owner of a rare Apollo GT (see the photo below) and decades after the original owner let it go I was able to help with the sale of this very same Apollo GT to a new owner who has now started the restoration process.
Text by Robert Northrup
While the Apollo GT was one of the best marriages of Italian style with American muscle, many enthusiasts are unaware of this Ferrari contender, built by hand in Italy and assembled in Oakland, California during 1963-65.
Its saga began in 1960, when a trio of Northern California twenty-somethings saw that imported sports cars had a major deficiency: while they were admired by enthusiasts for their exotic styling and high performance, foreign cars had also developed a nasty reputation for unreliability. Indeed it was a brave man who’d drive his Jag or Alfa in five o’clock traffic. And never on a cross-country trip.
So, Milt Brown, Ron Plescia, and Ned Davis combined their resources to create a fast, powerful gran turismo in the tradition and style of Ferrari and Maserati, but with the room, reliability, and serviceability of a Buick. The result: The Apollo GT.
Brown had designed race cars for Emeryson while living in England, so he had no trouble laying out a simple-but-strong ladder frame onto which he grafted the suspension of the highly successful (and European sized) Buick Special. For motivation, he installed that car’s lightweight aluminum V8, tuned to produce up to 225-horsepower and backed by the Borg Warner T-10 four-speed gearbox with Corvette ratios.
Meanwhile, Art Center graduate Ron Plescia penned a flowing design of Italian influence for the body. And little Carrozzeria Intermeccanica of Turin, Italy agreed to produce the bodies in steel and called in famed stylist Franco Scaglione to tweak the design and prepare it for production.
When the Apollo GT debuted at Phil Hall Buick in Hollywood in the spring of 1963, the public reaction was overwhelmingly positive. Yes, Brown, Plescia and Davis were going to build real GTs.
Production was just two cars per month and the trio priced the car at nearly $7,000, right between Jaguar and Ferrari and a niche where the Apollo was the only competitor.
Initial reaction from the press was extremely positive: “Workmanship is of the highest quality,” declared Hot Rod. “Panels fit well, doors close with authority, and the interiors are comparable to cars costing twice that of the Apollo.”
Denise McCluggage, writing for Science and Mechanics (and a racing driver to boot) was pleasantly surprised to find “…the Apollo handles as well or better than a 2+2 Ferrari, an Aston Martin DB4, or a Sting Ray Corvette.” High praise indeed!
Scaglione was again called in during the summer of 1963 to design a convertible version and his efforts created a true masterpiece of automotive design. And in an effort to increase performance, later cars (beginning with car number 12) featured the Buick 300 cu. in. V8, good for over 250 horses. To control the new power, front disc brakes were added. These later versions could smoke contemporary 250 Ferraris.
Lack of the operating capital eventually forced the company to close its doors. A total of 88 Apollos (76 coupes, 11 convertibles, and one 2+2) were built during a two year run. “It was a winner because we could never make enough to satisfy the demand,” laments Milt Brown. It’s just that they didn’t have the money with which to do it.
A sad ending, perhaps, but not the last word. When filming the original Love Bug movie in 1969, Disney used an Apollo as the “Thorndyke Special.” And a decade later, the Apollo was given milestone status by the Milestone Car Society. Even so, the Apollo has only recently been “discovered” by collectors, and the car is once again receiving the recognition it deserves.
Today, with over 50 cars identified with owners, every Apollo is highly coveted. And according to Milt Brown, there’s even an Apollo under construction with contemporary mechanicals including independent rear suspension.
So the saga continues…
Robert Northrup is the president of the Apollo Owners Registry
Mike,
I also fancy the Apollo Verona, which one hears even less about than the GT. Would you devote some future time to that Ron Brown endeavor too.
It is a shame Ron Brown’s automotive artistic sense has been so capital limited.
Jim Clark
Great car a real sleeper in the sports car world.
I have an Apollo Verona, I think they are well designed and constructed. Would love to get a copy of the assembly manual if anyone has one.
HI RON, I PURCHASED AN VERONA ROADSTER 2 YEARS AGO. IT CAME WITH AN ORGINAL ASSEMBLY MANUAL FOR THE ROADSTER & CABRIOLET. MY NUMBER IS (269) 998-0193
Thanks Bob,
I’ll call soon. I just saw this.
Ray